Master of Fine Arts, Art and Technology Studies, The School of the Art Institute of Chicago.
Bachelor of Arts, Political Philosophy, Brown University.
Build Your Own World, SJ01 Biennial, ZER01, San Jose, California
Retro-Tech, San Jose Art Museum and ZER01, San Jose, California
The Science Fair, Flux Factory, Long Island, New York
Micaela Gallery, Scope Art Fair, Basel, Switzerland
Liminality, Antenna Gallery, Chicago, Illinois
The Higher Foolishness, Inkit Gallery, Los Angeles, California
Wikipedia Art Embassy, The Internet Pavilion, Venice Biennale, Venice, Italy
Winter Salon, Micaela Gallery, San Francisco, California
Ephemeral Assets, Inkit Gallery, Los Angeles, California
Transmute, Subtle Technologies, Toronto, Canada
All Good Things, Mission 17, San Francisco, California
Contemporary Tools, de Saisset Museum, Santa Clara University, Santa Clara, California
re:con-figure, Kala Art Institute, Berkeley, California
oh Maybe…, OFF Space, Emeryville, California
Eclectic Works: New Releases and Then Some, Electric Works, San Francisco, California
Innovation and Imagination, Seattle Art Museum, Seattle, Washington
Second Life, Videotage, Hong Kong, China
Winter Salon, Micaela Gallery, San Francisco, California
The Art of the Found Object, Gallery RFD, Swainsboro, Georgia
Stardusted, Ping Pong Space, Guangzhou, China
Close To You, curated by Sarah Quinton, Textile Museum of Canada, Toronto
I feel that I am free but I know that I am not, SF Camerawork, San Francisco, California
Open Ear in Cardiff, curated by Garrett Lynch, ATRiuM, Cardiff, Wales
Mediating Bodies, curated by Natalie Loveless, Western Front, Vancouver, Canada
Sonic Residues, SAC Art Gallery, Stony Brook University, New York, New York
Mixed Realities, curated by Jo-Anne Greene, Huret & Spector Gallery, Boston, Massachusetts
Close to You, curated by Sarah Quinton, Dalhousie Art Gallery, Halifax, Nova Scotia
Crossing the Void, Haydn Shaughnessy Gallery, Ireland (solo)
Wrath of Kong: Second Front Performance, Performa 07, New York
Tools of Culture, Koscielak Gallery, Chicago, Illinois
Imaginary Souvenirs, Mission 17, San Francisco, California (solo)
Chain Reaction, Art Engine, San Francisco, California
Altered States, Kala Art Institute, Berkeley, California
One Night Stand, San Jose Art Museum, San Jose, California
CrossMediale 2, Koscielak Gallery, Chicago, Illinois
Retinal Reverb, Audio Cinema, Portland, Oregon
Resurfacing, Haskett Gallery, Ohio State University, Columbus, Ohio
Zemos98, Official Selection, Sevilla, Spain
AGYU Curated Video, Art Gallery of York University, Toronto, Canada
A View With A Room, Myers Gallery, Tulsa, Oklahoma
Stranger Than Fiction, Academy of Fine Arts, Helsinki, Finland
DigitCircula, part of DUSK by Raul Zamudio, DIVA Art Fair, Miami
Fresh, Kala Art Institute, Berkeley, California
Yanaguana, Unit B Gallery, San Antonio, Texas
CrossMediale 1, Koscielak Gallery, Chicago, Illinois
Grown Accustomed, Crawl Space, Seattle, Washington
Space, Place & Interface, LiveBox Gallery, Chicago, Illinois
All That Is Solid Melts Into Air, Gallery 2, Chicago, Illinois
Obscure Memory, Gallery 2, Chicago, Illinois
The Man Box and Beyond, The Lab, San Francisco, California
Six Flags, Commerce Street Space, Houston, Texas
Mash-Up, Gallery 2, Chicago, Illinois
Aqua Art Sound Broadcast, Aqua Art Miami, Miami, Florida
Manipulations, Gallery 2, Chicago, Illinois
Day Care Center, Galeria Noua, Bucharest, Romania
Version>05 Invincible Desire, Heaven Gallery, Chicago, Illinois
Underfoot, START Soma Gallery {Artist and Curator}, San Francisco, California
The 2004 Fire Arts Festival, The Crucible, Oakland, California
Mediums, The Canvas Gallery, San Francisco, California
Off the Wall, The Revolution Cafe and Art Bar {Artist and Curator}, San Francisco, California
Wide Open, Cataclysmic Studios, San Francisco, California
Back to Front, Crucible Steel Gallery, San Francisco, California
Voices in My Head, The Revolution Cafe and Art Bar, San Francisco, California
Art That Moves II, CELLSpace, San Francisco, California
Art in a Browser and Other Electronic Oddities, Spanganga Gallery, San Francisco, California
Raise the Frequency: The Muse, DNA Lounge, San Francisco, California
Containment, The Shipyard, San Francisco, California
Gift Horse, ZERO1 Commission, San Jose, California
Green Prix Microgrant, San Jose, California
Resident Artist, Eyebeam Art + Technology Center, New York
Liminal Screen Residency, The Banff New Media Institute, Banff, Alberta, Canada
Extending Creativity in Digital Media, Anderson Ranch Residency, Colorado
Mixed Realities, Turbulence Commission
The Future of Idea Art, Residency at Banff Centre for the Arts, Alberta, Canada
Kala Fellowship Award, Kala Art Institute, Berkeley, CaliforniaRobinson, W. "High Tech Biennial for San Jose." New York: Artnet (June 17)
Simon, Stephanie (Reporter). "Artists Draw Inspiration from Science in New Exhibit." New York: NY1 (Jun 11)
Goldberg, RoseLee, ed., Catherine Wood and Jay Sanders. Everywhere and All at Once: An Anthology of Writings on Performa 07. JRP Ringier
"Wikipedia Art: Vandalism or Performance Art?" PBS Mediashift, Simon Owens
(May 13)
Slant, Toni. "Performance in Second Life: some possibilities for learning and teaching." Learning and Teaching in the Virtual World of Second Life. Judith Molka-Danielsen and Mats Deutschmann, eds. Tapir Academic Press, 2009. 158-160.
"Deconstructing Wikipedia." Mary Louise Schumacher, Milwaukee Journal Sentinel (Apr 30)
"Wikipedia Threatens Artist for Fair Use." Hugh Pickens, slashdot.org (Apr 24)
"E-Happenings, Relational Milieux & 'Second Sculpture'." Patrick Lichty, Magazine Électronique du CIAC, no 31
"Virtual Work, Real World." Cate McQuaid, Boston Globe (Apr 2)
"Scott Kildall’s Memory Projects." NY Arts (Jan-Feb)
"Spark Artist Profile." KQED Television (Aug 1)
"In The Galleries." Jakki K. Spicer, The East Bay Express (Aug 15)
"Artist Profile: Public Radio Tulsa." {NPR Affiliate}, Rich Fisher (Jan 9)
"Two Installations Offer Different Look." James D. Watts Jr. (Jan 10)
"Yanaguana: Polvo Est. 1996 at Unit B." Wendy Atwell, …Might Be Good, Issue 77 (Oct 6)
"Hidden Talent Sees Light of Day at Crawl Space." Regina Hackett, Seattle Post-Intelligencer (Jul 1)
"The Masculine Mystique." Sharon Mizota, SF Weekly (Apr 26)
"Every Man for Himself." Shelley Risk, SFist (Apr 14)
"All Male Revue." Bob Calaway, Art Fever (Apr 14)
"Version>05 Invincible Desire." Chicago Reader (Apr 22)
"A Working-Class Do-It-Yourself World's Fair." Chris Carlsson, Processed World, Issue 2005 (Winter)
"Hot Wheels." Scott Nicol, Bicycling (Aug)
"Gift Horse," Artist talk, dorkbot, San Francsico, California (Jul)
“Imaginary Gifts,” Artist talk, Leonardo Art Science Evening Rendezvous (LASER), SETI Institute, Mountain View, California (Jun)
"Gift Horse," ZSalon: Artist talk, Zero01, San Jose, California (Jun)
Artist talk, California College of the Arts, Oakland, California (Apr)
“Wikipedia Art: Citation as Performative Act,” Artist talk, Critical Point of View Conference (CPOV), Amsterdam, The Netherlands (Mar)
Visiting Artist, University of California, Berkeley, California (Feb)
“Wikipedia Art: Citation as Performative Act,” Centre for Internet and Society, Bangalore, India (Jan)
“Grantmakers in the Arts Conference," Panelist, New School, New York (Oct)
“Brooklyn is Watching Podcast,” Guest contributor, several sessions, New York (2008-2009)
“From Cinema to Machinima,” Panelist and performance, moderated by Christiane Paul and Lynn Hershman, San Francisco Art Institute, San Francisco, California (Apr)
“Real World Implications of Virtual Economies,” Panelist, Floating Point, Emerson College, Boston (Feb)
“Digital Art Practices,” Panelist, San Francisco State University, (Dec)
“Art Practice in a Simulated World,” Panelist, SLCC, Chicago, Illinois (Aug)
“Re-Collecting,” Artist Talk, Kala Art Institute, Berkeley, California (May)
“Video Viewing,” Living Arts, Tulsa, Oklahoma (Jan)
“Anticipation and Electronic Media,” Artist talk, Art Institute of San Francisco (Dec)
“Second Frontier: A Virtual Geography,” Banff Centre (Oct)
“Capturing Time,” Artist talk, The School of the Art Institute of Chicago (Mar)
“Urban Alterations,” Expo For The Artist and Musician (Summer)
"Urban Retrofitters," Polvo Magazine (Spring)
"Computer-controlled Fire Art," Speaker, Dorkbots-San Francisco (Jul)
"NOW: Current Events and Art Practice," Panelist, San Francisco Art Institute (Mar)
"From the Streets to the Satellites," Comet Magazine (Spring)